Open
letter on Naughty NAANI
Here
is an ardent movie lover (from Atlanta, USA), neither a hardcore
fan of mahesh, nor a detail-savvy media critic; just a typical
movie buff, writes about the Naughty 'Naani' in a nut shell.
It is just to tell the film making world, how a typical telugu
moviegoer's mind works on a tollywood movie before and after
it hits the silver screen on a fine Friday.
Soon
after 'Naani' hit the silver screens all over, one simple
question has been lingering over my mind. SHOULD I WATCH THIS
'NAANI'!, If so, WHY? The answer turned to be, YES! it's worth
a watch, ONCE. Bcoz, it's "The Most Awaited/Expensive/Talked
about/Criticized Telugu Movie of this Summer'. My reasons
are as simple as below.
MOST
AWAITED: Bcoz it's been in making for a couple of years
and postphoned a couple of times. The delay is due to
i)
Film crew's insistance on AR Rehman's music, and his policy
of recording only @London
ii) )Director Suryah's two-fold involvement in tamil version
too, and his concerns to match the other tamil releases
at the box office.
iii) Long elections hungama, and even more long wait for
summer vacation as the movie aims at new generation youth
audience too.
MOST
EXPENSIVE: The Producer reportedly spent about 14 crores
for this movie - for grand locales, cinematography, choreography,
extravagant production values, apart from the sky high remunerations
for talented technicians that include AR Rehman, Guhan,Raju
Sundaram, Saroj Khan & Brinda famous play back singers,
popular lyricists, and u know Pyari 'Patel' seems to have
charged around a crore for her intimate romantic songs &
lessons with the hero, who is a child mentally, but an adult
physically.
MOST
TALKED ABOUT:
1.
It's produced by none other than Super Star Krishna's daughter
'Manjula' who earlier hit the national awards scene with
her movie 'Show'.
2. It's directed by talented & upcoming technician SJ
Suryah, who gave two blockbusters with Kushi & Vaali,
made Pawan Kalyan & AJIT to hog the screen for a couple
of years .
3. The one and only AR Rehman's Music for a direct telugu
film after long time.
4. Lyrics by Veturi, Sirivennala, Chandrabose, and play
back singing by SPB, Hariharan, Sankar Mahdevan et al.
5. A very different, unusval photography in the hollywood
style by a techno-savvy cinematographer Guhan
6. The lead pair @ their romantic best, for example; the
most romantic ever on-screen kiss of Tollywood picturised
intimately with Mahesh & Amisha recalls the simple,
yet memorable, and central issue of 'navel' factor in the
Pavan Kalyan & Bhomika's block buster 'Kushi'.
7. Special song with RamyaKrishna like the one in 'Simhadri'
with Junior NTR. And also, an introductory modern number
with three glamour dolls/ box office bombs Anjala Zaveri,
Kiran Rathod, and Mehak
8. Above all, Mahesh is expected to entertain one and all,
especially after the debacle of Teja's 'Nijam'.
9. Finally, it's my own punch line: Hrithik of Tollywood
and Pyari 'Patel' @ their Romantic Best
MOST CRITICIZED:
1.
It's said to be inspired:) again from a Hollywood flick,
this time 'The Big' of Tom Hanks(1988), that talks about
a kid becoming an adult overnight. But the high point z
Suryah claims to have been working on this for the last
3 yrs. I guess, if there is one person who has seen the
'BIG' movie more no.of times than any critic who reviewed
the movie, it's none other than film's director 'SJ Suryah'
himself. It is another point that he could not recreate
the magic with the hypocratic & conservative audience,
who claim to absorb different, creative, westernized movies
privately, but not so publicly. It's for these double standards,
this brave attempt of 'Naani' has been the talk of tollywood,
which is first hyped by none other than the same media,
who often create artificial hype/expectations/previews and
what not, just to blame later about the artificialness of
the movie and its theme. As always, media hyped this movie
artificially from the day one before the relase along with
the film crew, and later it blames Suryah entirely for the
artificiality in the story(an inspiration of Hollywood blockbuster
'The BIG'), which he copied,moulded, and aptly packaged
over a couple of yrs for the romantic, fast paced young
generation of 21 st century. It's all but a part of marketing
strategy, both of the media and of the movie makers as well.
2.
On the one hand, almost all the movie reviewers/critics
appreciated the performances of the leading pair as fantastic/authentic/genuine/
effective/ sensitive/sexual/bold and brave etc; on other
hand, they go gaga over romantic intimacies, sexual insinuations,
bold dialogues/exposures, weird camera techniques, fast/rap
tunes, dances, screen play direction and what not! One way,
many viewers embrace and enjoy western culture privately,
but when it comes out publicly it's the age-old conservativeness
and hypocrisy that matters most. In a story, a kid embedded
into an adult body physically is bound to behave as 'Naani'
behaves. A romantic girl coming from elite strata of 21
st century is bound to behave and exhibit sexual desires
with her kid husband as pyari 'patel' exhibited it, though
after taking the remuneration worth it. Remember, the same
Surya made blockbusters on two more sensitive issues, one
on the ever romantic 'navel'; second on the sexually adulterated
mindset of an otherwise good big brother. Then, there was
no gaga over it, bcoz Surya could still manage the balance
without any inspiration from Hollywood flicks. This time,
he could not balance the romance stuff bcoz of his own involvement
as hero in tamil version, with Simran doing her first onscreen
kiss, that hit the Chennai hoardings long before the movie
hit the screens.
3.
FANS are upset with the choice of movies by their hero 'Prince
Mahesh'. It is these fans who made him Prince, Omega Star,
Hrithik of Tollywood etc, who wanted him to be another super
star overnight, but with only routine masala stuff of 3
fights + 6 songs with larger than life macho image etc.,
who opened (and ultimately closed) websites to exhibit his
superstardom, who feel, at the end of the day, that they
were taken granted by their hero, wasted some of their most
valuable, precious labor hours just within the disguise
of fun & entertainment, and yet they eagerly await the
upcoming 'Arjun' release under the direction of Guna Sekhar,
who gave the blockbuster 'Okkadu'. These same fans, who
embrace their hero when he gives BO hits, who celebrate
his 100 days hits with hungama, also create hungama when
their hero takes bold/creative/different/wrong decisions,
instead of supporting morally their hero when he is really
down/upset/trouble. The height of the issue is, they realize
the potential of the hero, acknowledge the great performance
reviews their hero got for this movie, but at the same time
they don't want their hero to be experimental/creative/
different, but wish to create BO blockbusters every time
he hits the silver screen, they wish him to be a box office
basha 'Rajani Kanth', but not an experimental actor 'Kamal
Hasan'.
Fans of
Prince! Cool down folks. After all, Mahesh is in his 20s,
and a long way to go in this fantasy world of tollywood, which
was earlier ruled by the greats like NTR, ANR, and his own
super star dad, who was referred as daring and dashing hero
by these very fans, who himself experimented with 'Mosagaalla
ku Mosagaadu', 'Alluri Seta Rama Raju', 'Eenadu', 'Kurukshetram',
'Simhasanam' to mention a few. Even the next generation of
stars like Chiranjeevi, Balakrishna, Nagarguna, Venkatesh
took over a decade to stabilize their positions in the so-called
funny Friday-based Filmiworld. Finally, if it interests you,
I wish, I can pen down a couple of stories for this prince
of tollywood, which could be another 'rahasya goodachari'
or 'eenadu' or for that matter 'gharana dong' in the style
of 'Deadwood'. Mahesh himself or any of his ardent fans, wish
to give it a thought!!! I'm excited and ready for the big
challenge.
My
dear fellow movie lovers, 'Naani' has not even reached a double
figure yet on his movies, as his mental age in the movie itself.
He has the potential to be competitive enough for long in
this hits-misses oriented, hollywood inspired tollywood, and
I'm sure he is here to stay and make a name of his own in
the annals of telugu cinefield.
Coming
back to my basic point , Yes, 'Naani' is worth a watch for
funny filmgoer to have fun over the weekend with popcorn in
hand, and with an open mind.
Itlu,
Ramesh B Manyam
[email protected]
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