Story
Pushpa (Allu Arjun) rises in power and influence, expanding his red sandalwood empire by securing international contracts while cutting out middlemen. His stature grows both in business and society. One day, as he prepares to meet the Chief Minister, his wife Srivalli (Rashmika Mandanna) requests a photograph with the CM, sparking a series of events that set the stage for intense conflict. Meanwhile, Bhanwar Singh Shekawat (Fahadh Faasil) is relentless in his mission to capture the infamous smuggler. The rest of the story unfolds as Pushpa navigates the deadly challenge of surviving the combined forces of the law and political power, fighting to maintain his empire and protect his loved ones.

Artists Performance

Allu Arjun: Allu Arjun delivers a mesmerizing transformation in this film. He appears more raw and ruthless, frequently seen consuming gutka. His dubbing feels incredibly natural. He excels particularly in the Jathara episode and the film’s climax. His portrayal in the lady get-up, along with the way he dances, fights, and conveys subtle expressions with distinct body language, deserves the highest applause. Balancing an award-winning performance while captivating mass audiences is a difficult feat, but Allu Arjun accomplishes it flawlessly in this movie.

Others: Rashmika Mandanna delivers an excellent performance in the film. One standout moment occurs during the Jathara episodes, where her mass dialogue scene elicits whistles from the audience (thanks in part to strong writing). She is one of the rare actresses who can embody both vulnerability and mass appeal simultaneously. Fahadh Faasil is even more chaotic and sadistic in this sequel, with an added layer of entertainment. He is superb. Jagadeesh Prathap Bandari continues to excel as Pushpa's trusted ally. Sunil shines as a man determined to reclaim his lost mafia empire. Anasuya Bharadwaj is outstanding as a fierce alpha female, focused solely on bringing Pushpa down. Her scenes where she questions the magathanam of both Bhanwar Singh and Mangalam Seenu entertain audiences. Jagapathi Babu impresses as an aged politician whom Pushpa challenges, while Rao Ramesh delivers a natural performance. Tarak Ponnappa excels in a crucial role, and Pavani Karanam shines in a lengthy part during the second half. Brahmaji has substantial screen time as Bhanwar Singh’s assistant. Sreeleela is excellent in a special song, showcasing why she is one of Telugu cinema’s best dancers. Ajay also delivers a solid performance.

Story - screenplay - direction: Sukumar masterfully balances Pushpa’s rise to power with his family’s emotional journey. Throughout the film, he showcases Pushpa’s growth in stature through his signature compelling scenes. The primary antagonist keeps evolving, with Fahadh Faasil’s character becoming progressively weirder and more entertaining. Sukumar leaves several loose ends for the villains, hinting at their continued presence in Part 3. However, he delivers a satisfying conclusion to the family arc, resolving the pivotal conflict that has driven Pushpa’s ambition and need to prove himself.

Sukumar skillfully integrates payoff elements from Part 1, using them to greater effect in Part 2, such as the car in Part 1 and the helicopter in Part 2. He captivates viewers with a stunning opening sequence for Pushpa (A port in Japan), featuring clever details like the use of the song "Mera Joota Hai Japani" and the reveal of Pushpa’s name on the container reflected in water. The sign language exchange between Pushpa and Bhanwar Singh is brilliantly written and highly entertaining. The word "Kissik" is cleverly introduced in the first half, making its inclusion in the special song near the film’s end feel seamless and organic.

Two standout mass moments are the Jathara episode (with its songs and fight sequences) and the climactic battle. The Jathara sequence is goosebump-inducing, while the final fight is expertly handled, revolving around the concept of generating kinetic energy - how to fight when both hands and legs are bound. Pushpa’s reactions when under threat and in difficult situations are a highlight. Sukumar’s respect for women and Pushpa’s longing for a surname are beautifully portrayed in the second half, especially in the moving scene where Pushpa reveals that he doesn’t want a son.

Sukumar's writing in this film is filled with well-crafted payoffs. Pushpa’s character is deliberately portrayed as vulnerable in certain scenes, only to strike back with greater intensity. These moments wouldn’t have delivered the same impact if Pushpa hadn’t first appeared weakened, only to later achieve what he set out to do. Notable examples include the interval scene and the climax fight, where this narrative technique is used to maximum effect.

On the downside, Pushpa appears almost invincible throughout the film, except during the climax fight (during the climax we get a doubt about where Bhanwar Singh is). Heroic elevations are consistently strong, keeping the energy high. The screenplay is well-constructed, though it takes an unconventional turn by extending the story for an additional 20 minutes of family drama after the climactic fight. The film keeps the audience on a high throughout and leaves them with a strong emotional impact as they exit the theater.

Music: The songs composed by Devi Sri Prasad are major highlights of the movie. Each track is exceptional, with perfect placement and entertaining choreography that enhance the film’s narrative. The Pushpa Pushpa song cleverly begins with Bhanwar Singh’s frustration as he repeatedly utters Pushpa’s name. Peelings is more of a sensual track, where Srivalli desires her husband’s attention in the kitchen, while Pushpa is preoccupied with meeting the syndicate members in the hall. The word Kissik is cleverly introduced early in the film and later transformed into a high-energy special song toward the end.

The Jathara song is outstanding and delivers goosebumps, solidifying its status as one of the best mass moments in the film. Interestingly, the film features two back-to-back songs, which is rare and adds to the overall entertainment. Now it’s clear why the actual visuals for Sooseki weren’t shown in the lyrical video-they were saved for maximum impact in the film. The background score is equally impressive, with the BGM for the Jathara sequence and the climax fight being particularly extraordinary.

Other departments: The cinematography by Mirosław Kuba Brożek is exceptional, showcasing a masterful use of fluorescent colors, much like the Saami song in Pushpa 1. In this film, he employs them brilliantly, especially in the Jathara episode and Kissik song. His work is so seamless that viewers can appreciate the visual artistry without being distracted by it. Rasool Pookutty deserves special recognition for his remarkable sound design, adding depth to key moments. Srikanth Vissa’s dialogues are sharp and impactful, enhancing the narrative.

Editing by Naveen Nooli is flawless, ensuring a tight, engaging flow throughout the film. The production design by Rama Krishna and Monika is outstanding, lending authenticity and richness to the story’s setting. The action sequences are meticulously choreographed, with the Jathara fight and the climax battle delivering high-octane thrills for the masses. The VFX work is seamless, and the digital intermediate (DI) is spot-on. Mythri Movie Makers' production values are extraordinary, further elevating the film’s grand scale and visual appeal.

Analysis: Pushpa 2 serves as a logical continuation of the story established in Pushpa 1. Two key threads were left unresolved in the first film—the family connection and Bhanwar Singh and Mangalam Seenu revenge against Pushpa. Since Sukumar plans to extend the narrative into Pushpa 3, the revenge arc remains open, with the introduction of Jagapathi Babu’s character adding further intrigue. However, the family conflict is effectively concluded in this installment. Director Sukumar focuses heavily on mass appeal and heroic elevations, delivering a true feast for fans and movie lovers. Audiences seeking a resolution to the revenge plot may feel some disappointment, as it is reserved for the next part. Nevertheless, Sukumar showcases his prowess in creating a full-blown mass entertainer with Pushpa 2. This film is a complete "paisa vasool" experience, packed with intricate detailing and several goosebump-worthy moments. Allu Arjun delivers a performance that is ten times more powerful than in Pushpa 1. Simply put, Pushpa 2 is a must-watch!